ARTICLE
22 March 2013

To What Extent Is There Copyright In A Snapshot?

BL
Borden Ladner Gervais LLP

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BLG is a leading, national, full-service Canadian law firm focusing on business law, commercial litigation, and intellectual property solutions for our clients. BLG is one of the country’s largest law firms with more than 750 lawyers, intellectual property agents and other professionals in five cities across Canada.
The snapshot that generated the litigation was taken by Donald Harney, a freelance photographer.
Canada Intellectual Property

The snapshot that generated the litigation was taken by Donald Harney, a freelance photographer. The subjects: Christian Gerhartsreiter and, on his shoulders, his young daughter with a Palm Sunday palm in her hand, with a church in the background. Gerhartsreiter had, in fact, abducted his daughter during a custodial visit and publication of the photo in the media and as a FBI wanted poster blew his cover as a fraudster who had masqueraded as a British aristocrat and, more recently, a member of the Rockefeller family. So why the copyright suit? Sony Pictures made a TV movie about Gerhartsreiter, publicising it with an image of father carrying daughter that was clearly based on Harney's original. The issue, then, was whether Harney could assert copyright in the photo he had taken.

In the end, the answer was no. The two images were very close in many respects: same pose, same pink coat on the girl, tree and church in the background. The district court in Boston concluded that while the factual content of the two images was almost identical, the Sony photo lacked the 'expressive content' that was unique to Harney's image. The 1st Circuit, which heard Harney's appeal, agreed. It is permissible to mimic the non-original, factual elements of a work that is subject to copyright. The district court judge was correct to 'dissect' Sony's image into its component parts, expressive and factual, in order to separate the protected elements from the unprotected. The photo used by Sony reproduced the factual aspects of Harney's work (father, daughter on shoulders etc.) but not Harney's 'aesthetic flair' in composition, contrast of light and shade, and vibrant use of colour. The court rejected Harney's argument that his photo encapsulated the essence of the Gerhartsreiter story and should not be subject to the dissection analysis, because this would enlarge the scope of copyright protection by giving him control over the idea captured in the still. This will not leave freelance photographers who take pictures on the fly without copyright protection: they can still prevent unauthorised use of the actual images they have taken, if not reproduction of the purely factual elements of those pictures. The Sony picture reproduced almost none of the protectable aspects of the original, so Harney's claim had to fail: Harney v Sony Pictures Television Inc (1st Cir, 7 January 2013).

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